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The hair color you have is the one you’re meant to have: it complements your skin tone and doesn’t look artificial. When coloring your hair, if you’re looking for that “natural” look that no one will suspect is a dye job, you should aim to enhance and enrich your natural color and subtly conceal grays — not do a total 180. At Fine Artistik Salon, our L’Oreal Professionnel team of hair colorists are known for being the best. We specialize in hair color and we are the best hair coloring salons NYC!
Color within reason. If you’re a dark brunette, don’t stray too far from rich tones. If you’re a warm blonde like Christie Brinkley, keep to the golden hues that add depth. If you introduce a completely new color, your natural shade will fight it until it oxidizes and turns brassy orange. Another thing that can make hair color look stark and fake is a dark hairline. The fine hair there grabs onto the color and tends to get dark faster. We always use a color that’s two shades lighter than the one I’m using for the back of the head at the hairline, from ear to ear. That keeps it from looking obviously dyed, and it’s much more natural.
We’ve all seen it — and maybe even had it: hair that’s so dark and inky that it looks almost blue, doesn’t reflect light, and doesn’t really even look like hair. Colorists refer to this as the “shoe polish” effect. It can look opaque, which can showcase grays and regrowth. It will also zap life and color from your face. We highly recommend requesting a single process and highlights that bring your natural hair color one shade lighter. This will add dimension, disguise the grays, and still flatter your complexion. If you’re using an at-home hair-color kit, err on the lighter side. L’Oreal Professionnel hair coloring team are known for being the best hair coloring salons NYC!
Women coloring their own hair tend to leave the color on for too long, and it can get really dark. In order to fix that, you’ll have to go to a professional to have them strip the color out with bleach and that will require a hair color correction process. If you’re set on dark hair, stay in the medium-to-dark chestnut range like Demi Moore.
The good side of going light: golden, Jennifer Aniston-y highlights. Buttery blonde hair is youthful. The bad side? Ashy, pale shades that are so light they almost look gray. Blondes walk a fine line between too warm and too cool — the trick is finding the just right Goldilocks middle ground of, well, gold locks. A shade or two lighter than your natural one can be very flattering, especially because skin gets more sallow with age, and a few streaks can wake it up. But going too light can be just as aging as going too dark. If you have to put on more makeup to make your new color work, you’ve picked the wrong shade.
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It’s also important to maintain a certain level of contrast between your hair color and your skin tone: Hair that’s too light can make you look washed out, and you lose your depth. The darkest part should be where your roots are, and the ends should be lighter, like children’s hair. Natural hair color is never one color all over.
Multidimensional color equals radiant color. Zebra streaks? Not so much. Stripy highlights can look tacky. The point of highlights is to look like you were kissed by the sun. If you get into that territory where it’s too light and has a frosty look, it can be very aging. Instead, ask your colorist to add a few lighter sections near your face like Halle Berry. The balayage highlights technique, where a colorist free-form paints the color onto hair without the use of foils, can also help to prevent choppy, obvious highlights.
Step away from the at-home bold hair dye and no one gets hurt. The main reason to steer clear of DIY dye jobs for bright, unnatural shades? Damage. As women age, the hair can become more fragile and feel drier because of hormonal changes. Extreme colors usually require putting lightener on hair and then depositing the color over it and that can be really taxing on the hair.
Instead of doing it yourself, head to your salon to consult with a colorist you trust who can inform you whether your hair is strong enough to handle bleaching, toning, and coloring. Or, if you’re looking for an even simpler solution, try a wig.
PERMANENTLY dyeing hair goes hand in hand with damaging it. The process dries out hair and leaves it jagged. Ammonia — used to open the hair fiber so that dye molecules can nestle in — is as delicate as a can opener. It also smells horrid and sets delicate scalps afire. So it’s not surprising that makers of lasting hair color have long sought an ammonia-free alternative that offers thorough gray coverage and a less unpleasant experience. Now, L’Oréal Professionnel INOA is a game changer. INOA which stands for Innovation No Ammonia, as that game-changer, one on par, they say, with the advent of DVD’s or GPS. With INOA, hair is as smooth as it was before hair color.
Hair coloring is a much more scientific process than you may think, and sometimes figuring out the differences between various hair coloring options can be pretty confusing. One substance that tends to lend itself to certain confusion is ammonia, so here are some tips to help you understand the differences between ammonia-based and ammonia-free hair coloring. We are the best hair coloring salons NYC.
To understand the differences between ammonia-based and ammonia-free hair coloring, you should first understand what purpose the ammonia serves in the products. Since coloring hair is a process that happens via chemical reaction, the ammonia serves as the agent that allows the hair follicles to swell. When the hair is swollen, it becomes much more absorbent, which allows it to soak in the dye. This absorption is what makes it possible for deeper and longer lasting coloring to happen, because the color is deeply connected to the hair from the inside, out. Ammonia also aids in the lightening of hair because it works with the melanin and natural hair color while it undergoes the chemical reaction process.